PHANTOM. Mies as Redered Society. Intervention in the Mies van der Rohe Pavilion

Abstract

The Barcelona Pavilion is an arena of confrontation organized in the form of a two-story building, in which two interdependent notions of the political lie in dispute.

The well-lit upper floor revives foundational concepts of the political (in which the extraordinary, origins and essences lead the way for that which is common), while the dark basement was constructed using contingencies and provisional agreements. The upper floor is physically transparent, but it conceals the social pacts which occur inside, to provide access to an experience of everyday non-calculability. The lower floor is opaque, yet it is the place where the contracts, experiments and disputes which construct the Pavilion gain transparency. The Pavilion constructs a belief through the way in which its two floors operate: ‘the exceptional emerges in the absence of the ordinary.’ The intervention is based on the suspicion that the recognition and rearticulation of these two spheres can contribute new possibilities in which architecture finds answers to Contemporary challenges.

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